in , i recorded delécluse: douze études for snare drum. and it was epic. delécluse is the and video. in two days. and you can watch études 1 + 9 right now. album. delécluse: douze études for snare drum étude 9: but i didn’t forget who it was all for: percussionists who struggle learning delécluse. that segment is.

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I have had sympathy for the recording engineer for this project. All of the grace notes are remarkably consistent, especially the flams.

Similar to 1 Rob chooses eture take this etude slightly slower than written and I think this is very wise. Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation.

This etude uses lots of the same rhythms but repeated in different ways and displaced over different beats. Here is what I thought….

Delecluse Etudes (12) for Drum Studies & Etudes

There is no low brass. Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. What immediately jumps out to me is the relaxed way Rob plays Delecluse.

Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Example 1 – Beethoven: Multiples, if any, are not shown in this system. That timing is perfect. A great balance to try and reach. This site uses cookies. Rob is very clear in navigating this treacherous water and keeps the pulse very steady throughout. Every single order that goes out the door has a tracking number that will be emailed to you, and all of it is completely insured.


The bracketed numbers tell you the precise instrumentation of the ensemble. Delecluse Etudes 12 20th Century. This would not be as enjoyable at a faster tempo.

Delecluse Etudes (12)

I really love this etude. The second example is common for a concert band or wind ensemble piece. Rob does a great job of saving these extremes until the end while still giving sufficient contrast between the dynamic levels up until this point.

Official Return Policy Shipping Every single order that goes out the door has a tracking number that will be emailed to you, and all of it is completely insured. And finally, here is one more way to visualize the above code sequence: Again, I have to point out that the pacing at the transition during the ritard is excellent. Note also that the separate euphonium part is attached to trombone with a plus sign. Example 2 – Jones: There are lots of opportunities to crescendo and diminuendo within these rolls and show nice dynamic shapes.

We have many mutual friends in common as well as both being at New World at different times so it was odd we had not crossed paths. Thanks for your understanding. This is standard orchestral nomenclature. Rob and I both play the ruffs slightly closed but with an audible difference between 3 and 4 stroke ruffs.


Students should have a firm grasp on reading rhythms before playing these studies.

Sign up for our newsletter Sign Up. There is a very clear difference between the two but not so over exaggerated that it loses its etue momentum. Shout out to Brandon Johnson! All of the details are there for those looking to hear exactly what those rhythms are supposed to sound like. We ship from centrally-located Dallas, Texas. This resource has been long awaited.

You must be logged in to add an item to your wishlist. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Eude than PJBE.

Titles with no bracketed numbers are assumed to use “Standard Instrumentation. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. The style and feel is very laid back and relaxed.