Los papeles del infierno de Enrique Buenaventura: imagenes de la violencia. Responsibility: Iván Ulchur Collazos. Imprint: Quito, Ecuador: Corporacion de. Los Papeles del infierno de Enrique Buenaventura: entre la imagen y la ideología de la violencia. Front Cover. Leobardo Iván Ulchur Collazos. University of. Title, Los papeles del infierno. Author, Enrique Buenaventura. Publisher, Corporación de Promoción Universitaria, Length, 97 pages. Export Citation .

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Political themes linked to the play include the military and the government. Please log in or sign up for a free account. La Maestra is the main character. Analyzing pieces “Los Papeles del Infierno” and “El Proyecto Pioto” leads to revelation of the basic methods and procedures of the interpretation of the pertinent society calibrated by the tragic events of 20th Century. Please introduce links to de, page from related articles ; try the Find link tool for suggestions.

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Los papeles del infierno – Enrique Buenaventura – Google Books

Abstract The Thesis’ aim is to provide a reader with a research about the Colombian society by using theatre of dramaturge Enrique Buenaventura. His plays show a synthesising of two Colombian cultures indigenous and colonial and an exploration of hybridity. The play tells the story of a Colombian schoolteacherLa Maestra, who is dead.

An Interview with E. She teaches them the history of their country, Colombia. Co je jinak pohled pro experty. Last updated on 5 October When he returned to Cali after this period, he was intent on reinvigorating Colombian theatre with a new identity which would authentically represent everyday Colombian realities. An Analysis of Sarah Kane’s 4.


A major theme is family and how it relates to tradition and culture. Es un teatro de trascendencia con el cual, por medio de sus personajes, Buenaventura pretende dejar un claro mensaje para las futuras generaciones, que no cometan los mismos errores del pasado.

Orphaned articles from April All orphaned articles. The play ends after the teacher is raped by army sergeants; she cannot eat because of the traumatizing experience and it begins to rain again. Social themes in the play are violence and rape.

Enrique Buenaventura

Examination of the theatre of this dramaturge as well as the political and social context of those times provides us with an evolution of Colombian society in dramaturgy of this author and helps us to understand his reasons for fighting against the contemporary injustice.

Buenaventura also wrote theoretically about theatre, and theatre and politics and is a considered to be a major figure as a practitioner and theoretician in this respect. The thesis was not defended successfully. In the beginning, she states that she is dead and describes where she used to live—in a house made of red clay with a straw roof.

Views Read Edit View history. The play opens with the teacher describing the rain in the town and how everything becomes red and muddy. La Maestra was the schoolteacher in the papelea where she lived, and before that her mother was the first schoolteacher of the town; her mother taught her how to be a loz and then La Maestra became a teacher just as her mother had done before her.


From Wikipedia, the free encyclopedia. The play deals with the ideas of life and death and how they are intertwined. Entry written by Gwendolen Mackeith.

Masaryk University Faculty of Arts. Buenaventura was born in Santiago de CaliColombia, on 19 February and died on 31 December Weiss, Judith A, ed. Historia de una bala de plata Story of a Silver Bullet. The Thesis’ aim is to provide a reader with a research about the Colombian society by using theatre of dramaturge Enrique Buenaventura.

Field of Study Spanish Language and Literature. Each character she speaks to in the play is someone who has held importance in her past. The thesis has been checked: Como objetivo secundario trataremos de descifrar ese mensaje. Beyond the Suicidal Despair: This creates an eerie, dreamlike quality to the play. Theses on a related topic List of theses with an identical keyword. Colombian Theatre in the Vortex: This article is an orphanas no other articles link to it.

This page was last edited on 18 Novemberat In the beginning she is seated on a bench and the characters she interacts with do not see her, just as she does not see them.