No example highlights this point more clearly than the Faenza Codex (FaenBC ; henceforth Faenza), an Italian manuscript containing the largest surviving. cerning the instrument(s) for which the Faenza Codex was intended: van den Borren thought it was for two instruments, although he did not specify which; two. KEYBOARD MUSIC OF THE 14TH CENTURY tents of the Faenza codex, on the limited basis of Roncaglia’s descrip- tion. Incomplete as this description.
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Not all the music recorded here comes from the Codex Faenza itself, but the vocal selections are the original models of pieces that appear as instrumental arrangements in the manuscript. The works of the manuscript are detailed below. Codex Faenza, Jay grant espoir. In other projects Wikimedia Commons. The principal aim of the present study, therefore, is to supply the first full-colour photographic reproduction of Codex Faenza with a general reconsideration of its historiography, and with an in-depth codicological analysis of the source.
Gramophone’s expert reviews easier than ever before. Codex Faenza, Aspire refus Bologna. From Wikipedia, the free encyclopedia.
The Codex Faenza Faenza, Biblioteca Comunale abbreviated as ” I-FZc “, and sometimes known as Codex Bonadiesis a 15th-century musical manuscript containing some of the oldest preserved keyboard music along with additional vocal cocex.
The codes in the “Recordings” column are specified in the “Discography” section. Codex Faenza, Biance flour.
Codex Faenza (Various) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
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This product is no longer in stock. Instrumental Polyphony in Late Medieval Italy. The minimum purchase order quantity for the product is 1 Quantity Add to cart. Medieval music manuscript sources. Views Read Edit View history. They comprise diminished versions of Italian and French songs by some of the major composers of the 14th and early 15th centuries, Jacopo da Bologna, Bartolino da Padova, Francesco Landini, Antonio Zacara da Teramo, Guillaume de Machaut, and Pierre des Molins, as well as polyphonic estampies and diminutions on dance-related and liturgical tenors, including the three earliest alternatim mass-pairs that have come down to us.
I, Introductory study, pp.
This article about a music publication is a stub. Codex Faenza, Elas mon cuer Bologna. More Info A small, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses a stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture. Articles lacking sources from August All articles lacking sources All stub articles. August Learn how and when to remove this template message. The minimum purchase order quantity for the product is 1.
Codex Faenza, Aquila altera Bologna.
If you are a library, university or other organisation that would be interested vaenza an institutional subscription to Gramophone please click here for further information. Basada en una obra vocal de Johannes Ciconia. Codex Faenza The.
Codex Faenza, Le ior Machaut. The manuscript is still held at the Biblioteca Comunale di Faenzanear Ravennabut facsimiles are held in other libraries fxenza Italy and overseas. Retrieved from ” https: Codex Faenza, Ave maris stella.
This offers the attentive listener a way into an unfamiliar repertory, and rounds off the disc in a nicely balanced manner. Nuova serie, 3 Size The younger layer is an autograph by the Carmelite friar Johannes Bonadies, who in and used empty folios to add 16 music theory treatises, summaries or tables, and 22 mid- or late-fifteenth-century polyphonic settings, mostly composed by John Hothby, Bernardus Ycart, and Johannes de Erfordia, aside with some anonymous settings and a short Kyrie by Bonadies himself.
The Codex is composed of two distinct and independent copying layers.
Codex Faenza, Untitled I. The modern rediscovery produced an extraordinary rich literature, focused mainly on the style and possible instrumentation of the repertoire and on the identification of faensa vocal models. Skip to main content. The works added by Johannes Bonadies are specified with different color in the list. A previous anthology centred on this collection, from the Ensemble Organum, appeared nearly ten years ago on Harmonia Mundi.