Hyperobjects: Philosophy and Ecology after the End of the World ( Posthumanities) [Timothy Morton] on *FREE* shipping on qualifying offers. 27 Hyperobjects: Philosophy and Ecology after the End of the World. TIMOTHY MORTON. 26 Humanesis: Sound and Technological Posthumanism. Hyperobjects has ratings and 48 reviews. Humphrey said: Part I: A TheoryI’m pretty sure Timothy Morton is a Hyperobject. He is Viscous: he won’t le.

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Would I recommend this book? It is the second path that we shall take in this book,” he signals toward the beginning p. Have you ever considered the possibility of doing PR for a relentless army of zombies? Locality is an abstraction These pianos are clearly not pianos but perhaps indexical objects of the hyper object of this particular narrative.

The other is to allow for the existence of morgon entities. The spell known as correlationismthe notion that philosophy can only talk within a narrow bandwidth, restricted to the human-world correlate: Timothy, why are you so hot under the collar? And even though humankind has given its hyperobjefts to this hyperobjecst because of its part in creating the Anthropocene, the concomitant philosophies emerging are effectively decentering that agency.

In the first of these to be published, The Poetics of Spice: Cosa che io non ho manco lontanamente.

And the rest of you should shut up. Sorry, that person’s shelf is private. The mesh has no central position that privileges any one form of being over others, and thereby erases definitive interior timoty exterior boundaries of beings. With extraordinary verve and audacity, Morton makes his hyperobjects into harbingers for a new epoch, timoothy a planetary scale, a task in which he is assisted by the general consensus about the Anthropocene, the current era of human-induced planetary change.


Instead, all beings are always already implicated within the ecological, necessitating an acknowledgement of coexistential difference for coping with ecological catastrophe that, according to Morton, “has already occurred.

Ah-Hah I used a Pope Francis prayer card as a bookmark for this. The root problem is that he tiomthy Graham Harman at his own estimation, and thinks that the new Object-Oriented Ontology is a boost to the sort of writing that the New Atheist crowd dismiss as “quantum woo”.

Project MUSE – Hyperobjects

Imagine that times pages and you get this book! For the American independent director, producer, writer, and actor, see Tim Morton.

This was definitely a different way of looking at reality for me and, I would guess, most mroton. It begins with someone asserting that global warming really exists.

Ursula K. Heise reviews Timothy Morton’s Hyperobjects – Critical Inquiry

If scale makes no difference, and global warming is not as a matter of principle different from “pencils, penguins, and plastic explosive” p. Mountains can be made of shells and fossilized bacteria. Sing Me a Song of Hyperobjects: No trivia or quizzes yet. In the end the skeptic has the last laugh with her example of the delicious irony of climate scientists hyperobjdcts stuck on a ship frozen in Antarctic ice.


There is less than a week left to support our matching grant fund drive! The author invented discovered?

Morton doesn’t really justify any of his claims. But hyperobjects also demonstrate ontological hypocrisy, for they can never reveal the full force of their reality, short of an unknowable apocalypse.

Hyperobjects: Philosophy and Ecology after the End of the World

University of Minnesota Press Coming soon. Is the author a holy There are some interesting ideas here like the titular hyperobjectsbut to get to them you have to wade through paragraph after paragraph of wildly overheated prose that resembles the ravings of a madman.

I look forward to reading more of Morton’s ideas, even with the persistent fever dream quality of his writing. Spice is not a balm, but an object of trade, a trope to be carried across boundaries, standing in for money: The world as we know it has already come to an end.

Views Read Edit View history. At times brilliant, at times superfluous, much like the concept being presented.

Though the concept of hyperobjects has been widely adopted by artists, literary critics, and some philosophers, it is not without its critics.